Search results for "Musical tuning"
showing 5 items of 5 documents
Mathematics and Soft Computing in Music
2011
Mathematics is the fundamental tool for dealing with the physical processes that explain music but it is also in the very essence of this art. Musical notes, the first elements which music works with, are defined for each tuning system as very specific frequencies; however, instrumentalists know that small changes in these values do not have serious consequences. In fact, sometimes consensus is only reached if the entire orchestra alters the theoretical pitches. The explanation for this contradiction is that musicians implicitly handle very complex mathematical processes involving some uncertainty in the concepts and this is better explained in terms of fuzzy logic. Modelling the notes as f…
Fuzzy logic helps to integrate music theory and practice
2010
Among the many practices of composers, instrumentalists and singers which clearly correspond with fuzzy logic our focus here is on tuning. Different criteria have been used to select the sounds that music uses. A set containing these sounds (musical notes) is called a tuning system. Several tuning systems coexist in a classical orchestra. The pitches of the notes are different and very precisely defined for each system; however the consequences of small deviations from these theoretical frequencies are not serious. Actually, the orchestra members are aware of the necessity of reaching a consensus and adjust their instruments to tune well. Because of this, many musicians feel that the mathem…
On the construction, comparison, and exchangeability of tuning systems
2015
The aim of this article is to describe mathematically different tuning systems, to study their mathematical properties, and to propose a construction allowing their comparison. In order to reach these goals, we introduce a concept of similarity between tuning systems and then we provide two sufficient conditions for the particular case in which a tuning system generated by an interval and a circulating temperament are compared. Finally, we show by means of an example that, for two tuning systems to be exchangeable, some well-known results determining the suitable number of notes per octave are not enough.
Adaptive tuning system and parameter estimation of a digitally controlled boost converter with STM32
2019
. This paper proposes a diagnostic system of a power electronic converter, based on a cheap STM32 Nucleo board, aiming to extract some relevant measurements which gives back important values of the converter's parameters behavior. Moreover the designed system is also exploited for implementing the converter's auto tuning in order to optimize its dynamic performance.
A fuzzy framework to explain musical tuning in practice
2013
A theoretical tuning system is a set of pitches that can be used to play music. It is a fact that the human ear perceives notes with very close frequencies as if they were the same note. Therefore, in our approach a musical note and its pitch sensation are modeled as L-R fuzzy numbers with a modal interval and a bounded support. We pay particular attention to the 12-tone equal temperament (12-TET) for being the most widely used tuning system and we define the fuzzy 12-TET composed of 12 fuzzy notes. A similarity relation between a fuzzy note and a theoretical note can be defined, and subsequently a similarity class associated to each one of the fuzzy notes in the fuzzy 12-TET arises. Finall…